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2017年6月英语六级真题第2套 Part II Section A (1)
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2017年6月英语六级真题第2套 Part II Section A (1)

对话 · 听力 · 真题文章逐层精读

本页是 2017年6月英语六级真题第2套 Part II Section A (1) 文章的精读视角页——这篇对话全文 335 词、12 段，CEFR 难度 B2（B2 级在英语六级文章中占 39%）；英文原文之外，本篇已有的 6 项精读维度逐项展开，其中能迁移到其他英语六级真题文章的判断方法（篇章结构、修辞、言外之意、作者态度、体裁速判）随各维度一并讲透。

精读最佳实践

本页解析里的段号（P1）都可以点——点一下，原文在顶部翻开并定位到该段，解析引用的原文同步标亮；合上原文，你还停在刚才读到的位置。点 P1 试试。

PASSAGE · 文章原文

12 段英文原文

以下为2017年6月英语六级真题第2套 Part II Section A (1) 的听力原文，由懒笔记按试卷原文逐段核对收录，共 12 段。左侧 P1–P12 是段落编号——本页全部解析（结构、逐段、修辞、自检题）都以它为坐标回指原文，点击解析里的段号，原文即在顶部翻开并定位到该段、引用的原文同步标亮；合上原文仍停在当前阅读位置。原文保持卷面形态，不带翻译与标注。

W: Mr. Ishiguro, have you ever found one of your books at a second-hand bookstore?

M: Yes. That kind of thing is difficult. If they've got my book there, I think, "Well, this is an insult! Somebody didn't want to keep my book!" But if it's not there, I feel it's an insult too. I think, "Why aren't people exchanging my book? Why isn't it in this store?"

W: Does being a writer require a thick skin?

M: Yes, for example, my wife can be very harsh. I began working on my latest book, The Buried Giant, in 2004 but I stopped after I showed my wife a little section. She thought it was rubbish.

W: Even after you won a Booker Prize?

M: She's not intimidated at all and she criticizes me in exactly the same way she did when I was first unpublished and I was starting.

W: But you would never compromise on your vision.

M: No, I wouldn't ever compromise on the essential, the ideas or the themes. This isn't really what my wife is trying to criticize me about. It's always about execution.

W: So why did you put your book, The Buried Giant, aside for so long? Apparently you started working on it over 10 years ago.

M: I've often stopped writing a book and left it for a few years. And by the time I come back to it, it may have changed. Usually my imagination has moved on and I can think of different contexts or a different way to do it.

W: What does it feel like when you finally finish a book?

M: It's funny you ask that because I never have this moment when I feel, "Ah, I've finished!" I watch footballers at the end of the match, you know, the whistle goes and they've won or lost. Until then they've been giving everything they have and at that moment they know it's over. It's funny for an author. There's never a finishing whistle.

STRUCTURE · 篇章结构

5 个意群的对话骨架

按对话 的行文骨架切分意群，每个意群标注它覆盖的段落与对主旨的作用——逐段读完后回到这里俯瞰全篇，能看清作者为什么按这个顺序行文。

  1. P1 P2

    开场寒暄与引入话题

    采访者 interviewer 用一个轻松的 light-hearted question 关于在二手书店 second-hand bookstore 发现自己作品的经历来 break the ice,作家 Ishiguro 的回答 response 揭示了他对作品被转售这件事的 ambivalent feelings,既觉得是 insult 又担心没人交换 exchange 自己的书

    通过一个具体的 anecdote 轻松地引入 introduce 了访谈的核心主题——作家如何 deal with 外界对作品的 reception 和评价 criticism,为后续深入探讨 writing process 和 handling criticism 做铺垫 pave the way

    展现作家对作品公众接受度的敏感心理
  2. P3 P4 P5 P6

    探讨写作需要的心理素质

    采访者从前面的 anecdote 自然过渡 transition 到关于是否需要 thick skin 的提问,Ishiguro 用妻子对他新书 The Buried Giant 的 harsh criticism 作为 concrete example,强调即使获得 Booker Prize 之后妻子依然 not intimidated 并保持同样标准的 criticism

    通过 personal example 具体展现了作家在 creative process 中如何 handle criticism,especially 来自最亲近之人的批评。这个 segment 不仅回答了 thick skin 的问题,还 reveals 了 Ishiguro 写作过程中的 vulnerability 和他与妻子之间的 professional dynamic

    揭示作家面对批评的真实处境
  3. P7 P8

    澄清创作核心的不可妥协性

    采访者 assumes 作家不会 compromise on vision,Ishiguro 明确表示 essential ideas 和 themes 确实不会妥协 compromise,但 clarifies 妻子批评的焦点其实是 execution 而非核心理念 core concepts,这是对前一意群可能产生的 misunderstanding 的重要澄清 clarification

    这个简短但关键的 exchange 精准地 distinguishes 了两个层面——artistic vision 的不可妥协性和 technical execution 的可调整性。它 refines 了我们对 Ishiguro 创作过程的理解,shows 他既坚守 core ideas 又保持 openness to technical improvements

    界定批评的边界与创作底线
  4. P9 P10

    阐述独特的创作时间管理方式

    采访者询问为什么 put aside The Buried Giant 长达十多年,Ishiguro 解释这是他的常见做法 common practice,通过 leaving a book 几年让 imagination move on,等回来时能以 different contexts 或 different approaches 来重新处理 rework 作品

    这个 segment 直接对应主旨中 unique creative approach 的核心部分,reveals Ishiguro 不同寻常的 writing process——deliberately abandoning 和 revisiting manuscripts。这种 approach 展现了他对 creative evolution 的信任和对 timing 的独特理解

    揭示放弃重启手稿的创作习惯
  5. P11 P12

    探讨作品完成的心理体验

    采访者问 finally finish a book 的感受 feeling,Ishiguro 用足球比赛 footballers 的类比 analogy 来 contrast 说明作家没有明确的 finishing whistle,不像运动员有 clear moment 知道比赛 over,写作永远没有那种 definitive completion 的时刻

    这个 closing exchange 为访谈提供了 philosophical dimension,通过 vivid analogy 揭示了写作的本质特征——缺乏 definitive closure。它 echoes 了前面关于不断 revisiting 作品的讨论,reinforces 了 Ishiguro 对创作过程 ongoing nature 的理解

    刻画创作完成的模糊性体验
MAIN IDEA · 速判主旨

5 步定位这篇文章的主旨

不读完全篇也能锁定主旨——以下 5 步按2017年6月英语六级真题第2套 这篇原文的实际行文顺序给出，每步说明看哪里、看出什么，可直接迁移到其他英语六级文章。

  1. 识别访谈格式 P1

    对话的 first exchange 直接揭示了文体性质——W 直接称呼 Mr. Ishiguro 并提出 specific question about his books，这种 formal address 加上 targeted questioning 明确标识出 interviewer-interviewee relationship，而非日常闲聊

  2. 提问主题聚类 P1 P3 P7 P9 P11

    W 的 questions 呈现清晰的 thematic clustering：从 second-hand bookstore experience 到 thick skin requirement，再到 wife's criticism、creative vision、manuscript abandonment、finishing moment。这些 questions 都指向同一个 core concern——the writer's creative process 和 psychological experience

  3. 回答主题重现 P2 P4 P6 P8 P10 P12

    M 的 answers 反复涉及几个 key themes：对 public reception 的矛盾心理（insult whether book is there or not）、接受 wife's harsh criticism 的态度、creative process 中的 flexibility（停笔数年再续写）、no finishing whistle 的独特感受。这些都是 deeply personal insights into his writing life

  4. 多维度覆盖 P1 P2 P3 P4 P7 P9 P11

    这个 interview 没有停留在一个 narrow topic 上，而是 systematically explored 多个 dimensions：public reception、personal relationships (wife)、creative philosophy (vision vs. execution)、work habits (abandoning manuscripts)、psychological state (no finishing moment)。这种 multi-angle approach 表明主旨是 holistic understanding of the author

  5. 四层验证整合 P1 P2 P3 P4 P6 P7 P8 P9 P10 P11 P12

    将前四步发现整合：(1) 这是 author interview 不是普通对话；(2) questions 聚焦于 writing-related experiences；(3) responses 提供 personal insights into creative process；(4) 涵盖 multiple aspects of writing life。四要素交汇点就是主旨：An interview discussing Ishiguro's writing process, criticism handling, public reception, and creative approach

主旨信号词 have you ever found P1 difficult P2 require P3 wife P4 vision P7 over 10 years P9

MAIN IDEA · 主旨

这篇文章在说什么

对作家石黑一雄的采访,讨论了他的写作过程、如何应对妻子的批评、如何看待作品的公众反响,以及他独特的创作方式——搁置手稿数年后再重新审视。
An interview with author Kazuo Ishiguro discussing his writing process, handling criticism from his wife, dealing with public reception of his work, and his unique creative approach of abandoning and revisiting manuscripts over many years.
WORD INFERENCE · 生词推断

5 个生词的上下文推断

不查词典，只用文中线索推出词义——每个词给出推断出的释义与 完整推理链。已收录进英语六级高频真题词集的单词可点击进入词条页。

  • harsh 严厉的、苛刻的

    我们来串联这些clues。首先,wife被描述为harsh,然后immediately用rubbish这个strong negative word来exemplify她的criticism。接着,即使在Booker Prize这样的achievement之后,她的critical approach依然exactly the same,没有soften。而这整个discussion是在回答thick skin这个question的context下展开的。把这些pieces连起来:harsh describes一种direct, severe, unsparing的criticism style,不顾及feelings,consistently maintains这种intensity。

    特质词看例证
  • compromise 妥协、让步

    让我们integrate这些insights。Compromise出现在discussing坚持creative vision的context中,with strong negatives like never和wouldn't ever。作者explicitly distinguishes between compromising on essential ideas versus adjusting execution,表明compromise involves changing something fundamental。The pattern of compromise on + core elements,combined with作者的refusal to do so,reveals that compromise means给予让步或改变原则性的东西,这在creative context中是作者坚决avoid的。

    动词看对象
  • execution 执行、实施(写作中指具体实现)

    把这些clues weave together。Execution被explicitly contrasted with ideas and themes,positioned as distinct from conceptual level。Wife's criticism targets execution,而她criticized的是actual written sections,不是underlying concepts。在creative writing的context中,execution refers to实际writing和expressing ideas的process and result。所以execution means具体执行、实施,在writing context中特指ideas的actual realization in prose。

    专业词看领域
  • intimidate 恐吓、威胁、使胆怯

    让我们synthesize。Wife is not intimidated出现在讨论Booker Prize这个intimidating achievement的context中。Normal expectation是such prestige would make people more cautious in criticism,但wife's behavior前后exactly the same。Not intimidated means不被影响到而产生fear或hesitation。Combined with morphological hint from timid,intimidate means使人感到害怕、胆怯,从而hesitant to act normally。

    心理词看反应
  • whistle 哨子、哨声

    整合这些observations。在football match的context中,whistle goes marks the definitive moment when competition ends。它creates一个clear boundary,让participants immediately know it's over。作者contrast authors' lack of such finishing whistle来illustrate writing没有clear endpoint。所以whistle是一个sound signal device,在sports中用来officially mark key moments,特别是game's end。在中文里,这就是哨子,裁判用来宣布比赛结束的。

    器物词看功能
RHETORIC · 修辞手法

4 处修辞手法与仿写

每处修辞给出它在本文的具体用法、同类信号词清单与一份可直接套用的 写作仿写建议——读完能认，也能写。

  • 反问

    P2

    作者 Ishiguro 在 第2段 中连续使用了两个 rhetorical questions 来表达他看到二手书店的 contradictory feelings。第一个反问 'this is an insult! Somebody didn't want to keep my book!' 传达了 author's sensitivity，第二个反问 'Why aren't people exchanging my book?' 则展现了他的 insecurity。这种 self-deprecating humor 揭示了即使是成功作家也会有的 vulnerability，为整个 interview 奠定了 honest and self-reflective 的基调，让读者看到 creative process 背后的真实 emotional struggles。

    信号词 Why How can Isn't it Don't you think What if Wouldn't it be Doesn't it Aren't they

    仿写： 当你想在对话中表达 conflicting emotions 或 paradoxical situations 时，可以采用 consecutive rhetorical questions 的方式。首先 identify 矛盾的两个方面，然后为每个方面构造一个以 'Why' 或其他 question words 开头的反问。模版：'If [situation A], I think, "[negative reaction]!" But if [opposite situation B], I feel [similar negative reaction] too. I think, "Why [question reflecting insecurity]?"' 这种结构能够 effectively convey 内心的 ambivalence 和 vulnerability。

  • 重复

    P2 P6

    在 第2段 中，'insult' 这个词被 deliberately repeated 两次，分别对应 finding his book 和 not finding his book 这两种 opposite scenarios。这种 lexical repetition 强化了作者的 core anxiety：无论结果如何，他都感到 offended。这个 repetition 非常 effective 地突出了 writer's paradoxical mindset 和对 public reception 的 hypersensitivity，直接 echoes interview 的主旨关于 handling criticism 和 public perception 的 psychological complexity。

    信号词 insult exactly the same way never always

    仿写： 当你想要 emphasize 某种 contradictory situation 或 recurring emotion 时，可以选择一个 key word 来代表这种 feeling，然后在描述 contrasting scenarios 时 deliberately reuse 这个词。建议使用 parallel structure，比如：'If [situation A], I feel [emotion word]. But if [situation B], I feel [same emotion word] too.' 这种 symmetrical repetition 会 create a sense of inescapability，让 audience 强烈感受到 speaker 面临的 dilemma。关键是选择一个 emotionally charged word 进行重复。

  • 语气词

    P2 P12

    第2段 中的感叹号使用，比如 'this is an insult!' 和 'Well' 这个 interjection，以及 第12段 中的 'you know'，都是 typical conversational markers，它们 inject spontaneity 和 authenticity 进入 written dialogue。特别是 'you know' 作为一个 hedge 或 filler，创造了 informal rapport between speaker and listener，让这个 interview 读起来像 natural conversation 而不是 scripted text。这些 discourse markers 强化了整个对话的 genuine and unpolished quality，呼应了主旨中关于 author's candid discussion 的 authentic nature。

    信号词 you know Well I mean actually sort of kind of like basically right

    仿写： 要让对话显得更 natural and spontaneous，可以 strategically insert discourse markers 在 key positions。在表达 strong opinion 时使用感叹号 combined with interjections like 'Well'；在 elaborate explanations 时插入 'you know' 来 create inclusivity；在 transition between thoughts 时使用 'I mean' 或 'actually'。模版：'Well, [strong statement]!' 或 '[statement], you know, [elaboration].' 但要注意不要 overuse，每段 dialogue 中 one or two markers 就足够 create conversational tone without seeming unprofessional。

  • 省略

    P4 P8 P12

    第12段 中 'I've finished!' 后面 省略了 'the book' 这个 object，这种 ellipsis 在对话中 extremely common，它 reflects natural speech patterns where context makes the omitted element clear。类似地，第4段 中 'She thought it was rubbish' 省略了更详细的 elaboration。这些 elliptical constructions make dialogue 更加 concise 和 conversational，避免了 redundant repetition，体现了 spoken language 的 economy。这种 technique 贯穿整个 interview，contributing to 它的 fluid 和 authentic conversational quality，让读者感觉像在 eavesdrop on a real conversation 而不是阅读 formal text。

    仿写： 在写对话时，可以 strategically omit 那些从 preceding context 明显的 elements。当一个 topic 已经 been established，subsequent references 可以省略 repeated nouns 或 phrases。模版：Question: 'What does it feel like when you finally finish [object]?' Answer: 'I never have this moment when I feel, "Ah, I've finished!"' — 这里 'finished' 后面的 object 被省略因为 question 已经建立了 context。避免 over-complete sentences that sound stilted；让 context carry meaning。但要确保 omission 不会 create ambiguity。

IMPLIED MEANING · 言外之意

5 处话里有话

作者没有明说、但靠信号词传递出来的态度与暗示——每处给出原文片段、信号词类型与解读。

  • 作家对二手书店的矛盾心理

    P2
    If they've got my book there, I think, 'Well, this is an insult! Somebody didn't want to keep my book!' But if it's not there, I feel it's an insult too.

    转折类 But but however yet nevertheless nonetheless still

    Ishiguro 通过这个 paradoxical response 透露出 writer 职业的 inherent insecurity。表面上他在 joke about 二手书店,实际上 reveals 作家对 work 被 rejected 或 ignored 都极其 sensitive 的心理。这个 implied meaning 为整个 interview 奠定了 vulnerability 的基调,呼应后文关于需要 thick skin 的讨论,说明即使是 successful author 也无法摆脱对 validation 的渴望和对 criticism 的恐惧,这正是 article 探讨的 writer's psychology 的核心 theme。

  • 妻子批评不因获奖而改变

    P5
    Even after you won a Booker Prize? ... She's not intimidated at all and she criticizes me in exactly the same way she did when I was first unpublished.

    让步类 Even after even even though even if even after despite in spite of

    Interviewer 用 even after 设置了一个 rhetorical expectation—获得 Booker Prize 这样的 prestigious honor 应该改变 power dynamic。但 Ishiguro 的回答 negates this expectation,revealing 两层 implication:第一,他妻子的 critical integrity 不受 external accolades 影响,she treats his work with consistent intellectual honesty;第二,更深层的是 Ishiguro 本人 values 这种 uncompromising feedback over flattery,这说明 true writer 需要的是 honest criticism 而非 blind praise。这个 subtext 直接 serves 文章主旨关于 thick skin 和 handling criticism 的 discussion,展现了 successful writer 如何 maintain humility 和 openness to critique。

  • 不妥协的边界划分

    P8
    No, I wouldn't ever compromise on the essential, the ideas or the themes. This isn't really what my wife is trying to criticize me about. It's always about execution.

    情态词强调类 wouldn't ever would never won't will never can't cannot must

    Ishiguro 用 wouldn't ever compromise 建立了一个 clear demarcation between negotiable 和 non-negotiable aspects of writing。Implied meaning 有两层:第一,artistic vision 的 core—ideas and themes—是 sacred territory,这 reflects writer's ultimate authority over creative direction;第二,通过强调 execution 是妻子 criticism 的 focus,他 implicitly validates 这种 technical critique,showing openness to improving craft while protecting vision。这个 subtext 对 main theme 极其重要,因为它 defines what 'thick skin' actually means for a writer—不是对所有 criticism 都 defensive,而是能够 distinguish valid technical feedback from attacks on creative essence,这种 discernment 是 mature writer 的 hallmark。

  • 写作过程的不确定性

    P10
    And by the time I come back to it, it may have changed. Usually my imagination has moved on and I can think of different contexts or a different way to do it.

    模糊限制语 may have may might could perhaps probably possibly

    通过 may have changed 和 usually 这些 hedging expressions,Ishiguro implicitly communicates 创作是一个 organic、unpredictable process,无法按照 fixed plan 执行。Subtext 是:真正的 writer 不是机械地 complete tasks,而是要 wait for imagination 自然 evolve,要有 patience 让 ideas mature on their own timeline。这解释了为什么他能把 The Buried Giant aside 十年—不是 procrastination,而是对 creative timing 的尊重。这个 implied meaning 丰富了 article 的 central theme,showing writer's life 需要的不只是 thick skin against criticism,还需要对 internal creative rhythm 的 trust 和 tolerance for prolonged uncertainty,这是 another dimension of writerly resilience。

  • 写作缺乏明确终点的隐喻

    P12
    It's funny you ask that because I never have this moment when I feel, 'Ah, I've finished!' ... It's funny for an author. There's never a finishing whistle.

    委婉表达 It's funny it's funny it's interesting oddly strangely curiously surprisingly

    两次使用 'it's funny' 配合 football metaphor,Ishiguro 委婉地揭示了 writing 与其他 professions 的 fundamental difference。Implied meaning 是:作家永远无法获得 definitive closure 或 final validation,因为 artistic work 没有 objective winning/losing 的 endpoint,它永远 open to reinterpretation、criticism 和作者自己的 doubt。这个 absence of finishing whistle 意味着 writer 必须 live with perpetual incompleteness 和 ongoing vulnerability。这个 profound subtext 完美 concludes 整个 interview 的 theme arc:从需要 thick skin、接受 harsh criticism、保护 core vision、到忍受 uncertain process,最后是接受 never truly finishing 的 reality。这层层递进的 implied meanings 共同构建了对 writer's psychological resilience 的完整 portrait,这正是 article 的 ultimate insight。

SENTENCE INSIGHTS · 句子精讲

2 句真题句逐层精讲

下列真题句各有独立的句子解析页——中文翻译、结构树逐层拆解、成分与时态、考点讲解与真题高频词。点击句子进入完整解析。

  • And by the time I come back to it, it may have changed.
    第10段，第2句

    "by the time" 引导的时间状语从句 + 主句(含情态动词和完成体)是四六级和考研阅读中非常典型的句式。这种"时间条件 + 推测结果"的结构在真题中频繁出现,掌握后可直接迁移到大量类似句子。

  • He draws on his real-life experiences.
    第3题，C

    主谓宾简单句是英语基本句式，但 "draw on" 这一短语动词结构在四六级或考研真题中出现频率较低，代表性有限，学习后可迁移范围不及含从句或复杂修饰的常见句式。

FAQ · 常见问题

关于 2017年6月英语六级真题第2套 Part II Section A (1) 的常见问题

2017年6月英语六级真题第2套 Part II Section A (1) 文章的主旨是什么？
对作家石黑一雄的采访,讨论了他的写作过程、如何应对妻子的批评、如何看待作品的公众反响,以及他独特的创作方式——搁置手稿数年后再重新审视。（英文表述：An interview with author Kazuo Ishiguro discussing his writing process, handling criticism from his wife, dealing with public reception of his work, and his unique creative approach of abandoning and revisiting manuscripts over many years.）
2017年6月英语六级真题第2套 Part II Section A (1) 文章是什么体裁？难度如何？
体裁为对话。CEFR 难度 B2，全文 335 词、12 段；在英语六级全部 593 篇真题文章中，B2 级共 233 篇（占 39%）。
2017年6月英语六级真题第2套 Part II Section A (1) 文章的篇章结构是怎样的？
全文 12 段按对话骨架分为 5 个意群：第1段、第2段——开场寒暄与引入话题；第3段、第4段、第5段、第6段——探讨写作需要的心理素质；第7段、第8段——澄清创作核心的不可妥协性；第9段、第10段——阐述独特的创作时间管理方式；第11段、第12段——探讨作品完成的心理体验。
2017年6月英语六级真题第2套 Part II Section A (1) 文章中有哪些值得积累的生词？
按文中出现顺序共 5 个：harsh（严厉的、苛刻的）、compromise（妥协、让步）、execution（执行、实施(写作中指具体实现)）、intimidate（恐吓、威胁、使胆怯）、whistle（哨子、哨声），每个词的词义都可以由文中上下文线索推断得出。

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