英语六级 2021年6月·第3套 Part III Section C (1) 阅读理解(四选一)试卷排版

英语六级2021年6月·第3套 Part III Section C (1) 阅读理解(四选一):共 5 题、占整卷 20%(710 分制折算约 142 分)、卷面选文共 442 个英文单词。本页按真题原卷版式还原该模块卷面(不含解析);逐题解析在「题目解析」页,全文逐句精读在「原文精读」页;本模块真题可免费下载 PDF/Word,入口见上方本题行。

试卷原卷

真题卷第3套(2021-06) • 六级
Part III Section C (1)
Directions: There  are 2 passages  in this section.Each passage  is followed by some questions or unfinished statements.For each of them  there  are four choices marked A),B),C)and D).You should decide  on the best choice and mark the corresponding letter on Answer Sheet 2 with a single line through the centre.
Passage One
Questions 46 to 50 are based on the following passage.
You can't see it, smell it, or hear it, and people disagree on how precisely to define it, or where exactly it comes from. It isn't a school subject or an academic discipline, but it can be learned. It is a quality that is required of artists, but it is also present in the lives of scientists and entrepreneurs. All of us benefit from it and we thrive mentally and spiritually when we are able to wield it. It is a delicate thing, easily stamped out; in fact, it flourishes most fully when people are playful and childlike. Meanwhile, it works best in conjunction with deep knowledge and expertise.
This mysterious—but teachable—quality is creativity, the subject of a recently-published report by Durham Commission on Creativity and Education. The report concludes that creativity should not inhabit the school curriculum only as it relates to drama, music, art and other obviously creative subjects, but that creative thinking ought to run through all of school life, infusing(充满) the way humanities and natural sciences are learned.
The authors, who focus on education in England, offer a number of sensible recommendations, some of which are an attempt to alleviate the uninspiring and fact-based approach to education that has crept into policy in recent years. When children are regarded as vessels to be filled with facts, creativity does not prosper; nor does it when teachers' sole objective is coaching children towards exams. One suggestion from the commission is a network of teacher-led "creativity collaboratives", along the lines of existing maths hubs(中心), with the aim of supporting teaching for creativity through the school curriculum.
Nevertheless, it is arts subjects through which creativity can most obviously be fostered. The value placed on them by the independent education sector is clear. One only has to look at the remarkable arts facilities at Britain's top private schools to comprehend this. But in the state sector the excessive focus on English, maths and science threatens to crush arts subjects; meanwhile, reduced school budgets mean diminishing extracurricular activities. There has been a 28.1% decline in students taking creative subjects at high schools since 2014, though happily, art and design have seen a recent increase.
This discrepancy between state and private education is a matter of social justice. It is simply wrong and unfair that most children have a fraction of the access to choirs, orchestras, art studios and drama that their more privileged peers enjoy. As lives are affected by any number of looming challenges—climate crisis, automation in the workplace—humans are going to need creative thinking more than ever. For all of our sakes, creativity in education, and for all, must become a priority.
46.
What do we learn from the passage about creativity?
A)It develops best when people are spiritually prepared.
B)It is most often wielded by scientists and entrepreneurs.
C)It is founded on scientific knowledge and analytical skills.
D)It contributes to intellectual growth but can easily be killed.
47.
What is the conclusion of a recently-published report?
A)Natural sciences should be learned the way humanities courses are.
B)Cultivation of creativity should permeate the entire school curriculum.
C)Art courses should be made compulsory for all students.
D)Students should learn more obviously creative subjects.
48.
What does the report say is detrimental to the fostering of creativity?
A)Alleviation of pressure.
B)Teacher-led school activities.
C)Test-oriented teaching.
D)Independent learning.
49.
What do we learn about the private schools in the UK?
A)They encourage extracurricular activities.
B)They attach great importance to arts education.
C)They prioritize arts subjects over maths and sciences.
D)They cater to students from different family backgrounds.
50.
What should be done to meet the future challenges?
A)Increasing government investment in school education.
B)Narrowing the existing gap between the rich and the poor.
C)Providing all children with equal access to arts education.
D)Focusing on meeting the needs of under-privileged students.

选文出处:The Guardian《卫报》2019.10.18 文章The Guardian View on Creativity in Schools: A Missing Ingredient(卫报评学校中的创造力:一项缺失的要素)。

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