考研英语一 2024年 Section II Part A (3) 阅读理解(四选一)试卷排版
考研英语一2024年 Section II Part A (3) 阅读理解(四选一):共 5 题、卷面 40 分(满分 100,每题 2 分)、卷面选文共 434 个英文单词。本页按真题原卷版式还原该模块卷面(不含解析);逐题解析在「题目解析」页,全文逐句精读在「原文精读」页;本模块真题可免费下载 PDF/Word,入口见上方本题行。
试卷原卷
英语一真题(2024)
Section II Part A (3)
Directions:
Read the following four texts. Answer the questions after each text by choosing A, B, C or D. Mark your answers on the ANSWER SHEET. (40 points)
Read the following four texts. Answer the questions after each text by choosing A, B, C or D. Mark your answers on the ANSWER SHEET. (40 points)
Text 3
A Polish digital artist who uses classical painting styles to create dreamy fantasy landscapes, Greg Rutkowski has made illustrations for games such as Dungeons & Dragons and Magic: The Gathering. And he's become a sudden hit in the new world of text-to-image AI generation.
His distinctive style is now one of the most commonly used prompts in the new open-source AI art generator Stable Diffusion. The tool, along with other popular image-generation AI models, allows anyone to create impressive images based on text prompts. For example, type in "Wizard with sword and a glowing orb of magic fire fights a fierce dragon Greg Rutkowski," and the system will produce something that looks not a million miles away from works in Rutkowski's style.
But these open-source programs are built by scraping images from the Internet, often without permission and proper attribution to artists. As a result, they are raising tricky questions about ethics and copyright. And artists like Rutkowski have had enough.
According to the website Lexica, which tracks over 10 million Stable Diffusion images and prompts, Rutkowski's name has been used as a prompt around 93,000 times. Rutkowski was initially surprised but thought it might be a good way to reach new audiences. Then he tried searching for his name to see if a piece he had worked on had been published. The online search brought back work that had his name attached to it but wasn't his.
"It's been just a month. What about in a year? I probably won't be able to find my work out there because the Internet will be flooded with AI art," Rutkowski said. "That's concerning."
Other artists besides Rutkowski have been surprised by the apparent popularity of their work in text-to-image generators—and some are now fighting back.
Karla Ortiz, an illustrator based in San Francisco who found her work in Stable Diffusion's data set, has been raising awareness about the issues around AI art and copyright. Artists say they risk losing income as people start using AI-generated images based on copyrighted material for commercial purposes. But it's also a lot more personal, Ortiz says, arguing that because art is so closely linked to a person, it could raise data protection and privacy problems.
"There is a coalition growing within artist industries to figure out how to tackle or mitigate this," says Ortiz. The group is in its early days of mobilization, which could involve pushing for new policies or regulation. One suggestion is that AI models could be trained on images in the public domain, and AI companies could forge partnerships with museums and artists, Ortiz says.
31.
What can be learned about Rutkowski from the first two paragraphs?
[ A ]He is enthusiastic about using AI models.
[ B ]He is popular with users of an AI art generator.
[ C ]He attracts admiration from other illustrators.
[ D ]He specializes in classical painting digitalization.
32.
The problem with open-source AI art generators is that they______.
[ A ]lack flexibility in responding to prompts
[ B ]produce artworks in unpredictable styles
[ C ]make unauthorized use of online images
[ D ]collect user information without consent
33.
After searching online, Rutkowski found______.
[ A ]a unique way to reach audiences
[ B ]a new method to identify AI images
[ C ]AI-generated work bearing his name
[ D ]heated disputes regarding his copyright
34.
According to Ortiz, AI companies are advised to______.
[ A ]campaign for new policies or regulation
[ B ]offer their services to public institutions
[ C ]strengthen their relationships with AI users
[ D ]adopt a different strategy for AI model training
35.
What is the text mainly about?
[ A ]Artists' responses to AI art generation.
[ B ]AI's expanded role in artistic creation.
[ C ]Privacy issues in the application of AI.
[ D ]Opposing views on AI development.
选文出处:MIT Technology Review《麻省理工科技评论》2022年09月16日文章This Artist Is Dominating Al-Generated Art. And He's Not Happy about It.(这个艺术家主宰了 AI生成绘画领域,但他并不以此为乐)。